Primarily, my main concern was how to gather all the information of artists and texts I researched and translate them into my art language. Through the first reading session at Wimbledon, I borrowed the term Rhizome from Deleuze to interconnect ideas and thoughts floating in my head. An Archival Impulse (Hal Foster, 2004) at the reading session inspired me with archival series of proceeding in art practice. I was also interested in plural mechanism of transformation/combination, intervention/integration into space-time in context and archival work. 

 In my process, after reflecting on my practice and contextualisation, I needed to push me into physically challenging work for scale experiment out of arm-sized paper work I habitually enjoyed. I decided to work on actual big size than imaginary large scale work. It was tough work for me to make big canvases, break and modulate it. Nevertheless, since pushing me out of my intimate territory, the process of making and reflecting become more interesting.  

 Finally, to see the arc solving in my practice, find practice 1 to 6.